The History Of Dance And Cultural Influences Film Studies Essay

The History Of bounce And Cultural Influences Film Studies Essaypolitical modalitys, social factors and cultural influences ar some of the key elements that affect saltation and its development. Emotional and in verbaliseectual reactions towards changes in these political and social circumstances be often obviously seen in the medium of bound. (Comp any, Library, College, Division, Dept, Branch, Hanna, Arny, and Company) In the movie albumen Nights, the lives of twain trip the light fantasticrs from entirely contrastive cultural backgrounds are intertwined resulting in an kindle marriage of faucet dancing and concert trip the light fantastic toe. These deuce distinctly unique forms of jump are central to the spell of the story as they help to energy the action in the movie forward. Planted in an atmosphere of apprehension and paranoia, Greenwood ironically base solace tap dancing his way into Broadway numbers that were truncated into small and less glamorous che ck offs for an unexposed Soviet audience. On the early(a) hand, the leading character Rodchenko, experient a enceinte rationalizedom as he fled the totalitarian asseverate opening the door for exploration and ikon to a wider range of spring techniques, experimenting with different artistic directions. Eventually, their passion for dance and expression becomes the catalyst that transforms the relationship between the idealistic Russian concert dance superstar, Nikolai Rodchenko and the disillusioned Harlem-born tap dancer, Raymond Greenwood.Set in the tense political climate of the Cold War between communist Soviet confederation and capitalistic United States of the States, it was one of the primary perimeters for much of the tension between the two characters. With suspicion and fear, the two began their accidental friendship resulting a collaboration non scarce in executing a plan of escape save also in their respective dance forms. In a way, dance became one of the veh icles and motivation for these characters migration to another land. collectable to the dissatisfaction or restrictions they have experienced due the political situation of their nation, they opted to leave for another land in search for an avenue to express themselves in dance.Likened to the oppression of the legalistic church during the dyed Ages, the outlet for mad expression through dance was never successfully suppressed by political or social forces. Similar to the countryside family line who danced underground and away from the eyes of the authorities during the Dark Ages, Nikolai also found an outlet for greater expression in dance in America and other parts of the world.Parallel to the character of Nikolai, Raymond Greenwoods dances could also be seen as a result of the political climate of which he was placed in. Due the Vietnam war, he became traumatised and disillusioned with the Ameri layabout government. He too, was pushed by the atrocities he experienced to leave those memories behind and start anew in the drastically different world of the Soviet Union.In addition, International press relations and the work out of the Soviet Union in the global community also seemed to be one of the key concerns which motivated the plot. Nikolai was held in the Soviet Union a pull togetherst his will in an attempt to convince the international ballet star to dance in Leningrad instead of the world at large. This is an example where the interests of the totalitarian state directly impedes an individual advancement in the world of dance (as in other art forms). This relates to the idea of how oppression has an effect on dance. As such, one cannot deny how the political situation of a nation has great impact on the emotional state and being of a dancer. This successfully creates a significant reaction which is displayed through the medium of dance.Socially, the sentiments and emotions toward the Soviet Union and the racism situation in the United States have been important factors that plaster cast the dances seen in the film. In the case of Nikolai, the rebellion and frustration towards the iron clenched fist of the Soviet Unions reign was distinctly convey in a ecological succession where he was dancing in front of his old flame. The movements and shapes involved in that dance were a clear expression of rebellion as it went against the staple fibre ballet supposition of pure and clean straight lines created by the body. The dance consisted of bend knees, asymmetrical forms and crooked shapes/lines, going against the elegant form and shape of classical ballet. Even the music (which was forbidden in the Soviet Union) throw the screaming tones of an frustrated Russian, displaying the emotions of an oppressed society. Just like in blame dances and rap music of the African-American community, dance served as an outlet of wasteweir for all the emotional angst and sentiments of rebellion evident in the culture of a particular commu nity due to the social issues and problems present. This photograph not only displays a different side of Russian dance culture except also helps to bring the plot forward as it moves Helen Mirrens character to take chances her life to aid Nikolai arrange for a route of escape. In this sense, the scene was strategically used to move the viewer and the character which was crucial in moving the plot forward. Again, this fulfills Noverres concept of entireing that dance solos are used in supporting to a central theme and plot.The two different cultures and dance forms are introduced to the viewers are separate and distinct entities at the outgrowth of the show. In the opening scene of the movie displayed a dance prepare that seemingly fitting the four elements of which Jean- Georges Noverre proposed that ballets ought to have in the famous Lettres sur la danse et les ballet1. concert dance should not only be technically excellent, but should move audience emotionally through dram atic expressiveness.2. Ballet should have unified plots that were logical and understandable.3. The story should contribute to the central theme. Dance solos, etc. that do not relate to the plot should be eliminated. Scenery, music, costumes and plot all should be unified and appropriate to the theme.4. Pantomime should be simpler and more understandableIn accordance to this set of criteria, the opening scene aligns itself to these requirements. With a clear narrative expressed, the dramatic orchestra music and the elaborately realistic set where all present in support of the plot where the dance befool sense. Despite the lack of speech or singing, the use of pantomime to tell the story on stage was evident in this opening scene. Although at that place is a generally clear and distinct storyline, the viewer of the movie was free to ascertain the intricate details of the plot as it was not specifically articulated expression such as anguish, confusion and anxiety were expressed through the dancers using stereotypical and socially understood expressions. Without any preliminary knowledge of the historical context of the film, the viewer is still able to interpret and understand the general happenings in the ballet performance by schooling the body language of Nikolai Rodchenkov. Just as Noverre recommended, it was simple and logical, making it sort of plain for audiences to understand. As such, the Russian classical ballet roots were evidently displayed through the character of Nikolai..Similarly, we also witness a distinctly American style of dancing (from the character of Raymond Greenwood) which has influences from the African-American community. One of the basic travel of tap dancing is shuffling which originated from the tribal African dances where they often reenforcement their feet close to the ground in a bid to stay fast connected to the Earthly deities they believed in. Also, the repetitive rhythmic moves that harmoniously syncopates with th e music in tap dancing are believed to be descendants of a tribal African dance concept where the repetition actually represented the vibration and circle of life. (Libraries, and Knowles. 21-23) Deeply connected to his complicatedly tough environment of Harlem, we see the historical and motivation of Raymond Greenwood in a drunken tap dancing scene. Particularly, there was a segment in the scene where Raymond spoke of his decision to founder the military. This is aided with a marching-like rhythms expressed in his tap dancing, vividly characterization the picture of his circumstances during that time to the viewer. Though rather melodramatic, the brief episode could be seen as a piece in accordance to Noverres concept where dance steps should be telling of a story to pay off meaning to these movements.As the plot progresses, it is observed that the characters were brought from Siberia to Leningrad. This is due to Raymonds persuasion (under the menace of the Soviet secret co nstabulary) and the eventual decision on Nikolais part to dance at the theatre in Leningrad. The two dancers then began to collaborate increasingly in their craft as their relationship and circumstances develop. The two dancers easily progress to merge or collaborate as they begin to gain trust with each other, plotting a route of escape from the secret police of the Soviet Union. Anchoring on their remarkable talent in dance, viewers are presented with a modern dance piece towards the end of film. This is where the two dancers performed a synchronised grade accompanied by up-to-date 80s music, featuring moves that married elements from tap dancing, ballet and a kicking movement that viewers would inevitably cogitate to Asian martial arts. This collaboration not only created a approach in plot, it also depicted the chemistry that has develop between the two characters as they move in unison across the big screen.Notably, the brilliant choreography of award-winning choreographer, Twyla Tharp with the remarkable execution by George Hines and Mikhail Baryshnikov is evidence of how dance can become so versatile and fluidly applied in any circumstances. By Incorporating the different elements of modern ballet, with American tap dancing, choreographed according to a pop 80s piece of music, it resulted in an interesting and engaging dance sequence that effectively move the viewer emotionally and dramatically.Overall, dance and its development can always be credited to the political, social and cultural elements at work. umpteen a times, dance is a reaction toward the changes in these spheres that trigger an emotional and intellectual response. Through the film clean Nights, the role of dance and berth of dance is demonstrated through the believable and talented actors. With the help of a clever screenplay and cinematography, the effect of watching a dance piece in theatres is successfully translated on to the big screen, allowing the beautiful world of modern ballet and tap dancing to become accessible to an even wider range of audience. victimization the dance pieces to develop characters and propel the plot, one might consider White Nights the modern cinematic take on Noverres concept of a ballet anchored upon a central theme and plot.